Contact Details

Telephone

07773876853

Email

[email protected]

Website

https://www.garywinters.art/

Social Media


Venue

Venue Address

The Beehive Dowell Street Honiton Devon

Venue Postcode

EX14 1LZ

What3Words

https://w3w.co/desire.flame.straw

Directions

Opposite side of the road to Thelma Hulbert Gallery

Parking

Car Park at the venue

Venue Facilities

Demonstrations available during Devon Open Studios Electronic Payments Accepted Toilet Available WC Wheelchair / Disabled Access

Opening dates & times

Mon8 Sep
9:00 - 17:00
Tue9 Sep
9:00 - 17:00
Wed10 Sep
9:00 - 17:00
Thu11 Sep
9:00 - 17:00
Fri12 Sep
9:00 - 17:00
Sat13 Sep
Closed
Sun14 Sep
Closed
Mon15 Sep
9:00 - 17:00
Tue16 Sep
9:00 - 17:00
Wed17 Sep
9:00 - 17:00
Thu18 Sep
9:00 - 17:00
Fri19 Sep
9:00 - 17:00

Artist statement

I’m influenced stylistically by Pop Art, Conceptual Art and the history of photography; expressing task and process, repetition and rhythm, and a layering of time. My work ranges across lens-based and print media: limited edition screenprints, one-off painted images or collaged photographic pieces. On display are a series of overworked pastel portaits.

Extended Bio

Description of current creative practice I’m broadly influenced stylistically and intellectually by Pop Art, Conceptual Art and the history of photography; with an interest in expressing a task and process, repetition and rhythm, and a layering of time. My work ranges across lens-based and print media, producing limited edition screen print works, one-off painted / overworked images or collaged photographic pieces; often augmenting, disrupting and veiling pre-existing ‘found’ prints and images. I enjoy working with these kinds of images – either mass-produced posters, folio prints or lost and anonymous photographs – to comment on the excessive amount of materials (‘stuff’) swirling and circulating around the world and passing between ownership and that they arrive with a kind of pre-existing narrative attached and embedded in them; representing a time, a place and attitudes, interrogating a value and an intention. Alongside this, I have recently made a pledge to work with and use the art materials, items and curios I have accumulated (being a bit of a magpie attracted to things that I thought were interesting and a potential to work with) – both as a stance and gesture towards consumption and also as a limiting device to generate forays into new processes and practices. At times this makes the output hard to pin down, and knowingly eclectic, a curious marriage of the media leading an idea or an idea explored through a material. I studied at Dartington College of Arts in late-1990s and worked solely in performance and live art for the intervening years. I relocated back to the South West and since 2023 my creative practice has had an emphasis in working in the ways laid out above. I do consider myself an emerging artist in this field, as there is no overlap with my previous contexts / contacts for work and this is definitely a new approach in which I am experimenting to find a way working.