Artists Jacqueline Seviour reflects on the year following her award, and how it supported not just her work, but her confidence, connections and professional identity.
“Since receiving the Devon Open Studios Emerging Artist Bursary, I’ve had time to reflect on just how transformative the experience has been — both in my creative practice and in my journey as a glass artist.
In my original application, I said the bursary would give me a profound sense of achievement and the confidence to embrace the title of artist.
That has absolutely been the case. Previously, I described myself as a “maker” — almost embarrassed to use the word artist, even though my practice was rooted in creativity and artistic intent.
Like many emerging artists, I wrestled with imposter syndrome. Devon Open Studios became a turning point. Since then, I’ve stood taller and now proudly introduce myself as someone who wears two professional hats — including, “I am an artist.”
I also hoped that being part of Devon Artist Network would help me feel more connected. As a newcomer to Devon, I’m incredibly grateful for the friendships, mentors and cheerleaders I’ve found — I truly feel I’ve discovered my creative tribe.
One unexpected (and slightly daunting) part of the bursary was the professional photography session. Like many artists, I’m much more comfortable behind the camera. But with the skill and creativity of photographer Jim Wileman, I now have a set of images I’m genuinely proud of. They’ve become an important part of my branding, and I’ve promised myself an update in 2026/27.
As it was my first time participating in Devon Open Studios, I reached out to a nearby artist, Penny O’Brien, for advice. That single message led to invaluable guidance — including the inspired suggestion to sell “seconds”. Initially unsure, I gathered pendants I’d felt weren’t good enough for sterling silver bails.
To my surprise, visitors loved rummaging through them and often asked, “Why is this a second?” That experience showed me how perfectionism can obscure potential. Those sales ended up covering two-thirds of my venue hire fee — and that connection led me to join the Granite Elements artist collective, further deepening my creative community.
Devon Open Studios is unlike a market or fair. Visitors come with intention, and conversations are deeper and more meaningful.
I created a display explaining my process, and it became the first place people stopped. I also showcased my first two pieces of wall art and received valuable feedback that has shaped my next steps.
After the event, I shared a newsletter reflecting on the highlights, lessons learned and things I’d do differently — including a few laughs, like the five chickens who tried to visit! Rural footfall certainly has its quirks, but it became part of the story.
For my second Open Studios in September 2025, I hoped to find a more visible venue or to join a collective — and to my delight, Cider Press Gallery invited me to exhibit alongsidePam Neaves and Diannah Lowry. Being part of this trio was hugely affirming, and the experience opened my eyes to alternative ways of participating in Devon Open Studios.
This year, I’ve chosen to sit Open Studios out, as my focus is on preparing for my Solo Show at No 10 Gallery in Chagford over the August Bank Holiday. While I know I’ll feel a touch of FOMO, I’m also really looking forward to visiting and supporting so many wonderful Devon artists — something I’ve come to value deeply through Open Studios.