E30

Kat Blockley: A Common Treasury

Contact Details

Email

[email protected]

Website

www.katblockley.com

Social Media


Venue

Venue Address

Thelma Hulbert Gallery, Elmfield House, Dowell Street, Honiton, EX14 1LX. Studio (open Sundays): Applewood, 2 End Cottages, Talaton, EX5 2RJ.

Venue Postcode

EX14 1LX

What3Words

choice.risk.loudly

Directions

Sunday visitors: Studio is at the last cream house on the left as you leave Talaton for Clyst Hydon, opposite the thatched Lees Farm What3Words hulk.squashes.joystick

Parking

THG Car Park in front of the Gallery Sundays at studio: Park on road

Venue Facilities

Electronic Payments Accepted

Opening dates & times

Sat6 Sep
10:00 - 17:00
Sun7 Sep
11:00 - 17:00
Mon8 Sep
Closed
Tue9 Sep
10:00 - 17:00
Wed10 Sep
10:00 - 17:00
Thu11 Sep
10:00 - 17:00
Fri12 Sep
10:00 - 17:00
Sat13 Sep
10:00 - 17:00
Sun14 Sep
11:00 - 17:00
Mon15 Sep
Closed
Tue16 Sep
10:00 - 17:00
Wed17 Sep
10:00 - 17:00
Thu18 Sep
10:00 - 17:00
Fri19 Sep
10:00 - 17:00
Sat20 Sep
10:00 - 17:00
Sun21 Sep
11:00 - 17:00

Artist statement

Kat archives the interface of tradition and modernity in everyday life; her shoebox files are fertile ground for works in stitch, print, paint and song that emerge from the archive to take their place within A Common Treasury. View Kat’s work at THG. Kat’s studio is also open Sundays 11-17:00: Applewood, 2 End Cottages, Talaton, EX5 2RJ.

Extended Bio

With stitch, paint, print and song, Kat archives the interface of tradition and modernity in everyday life. Kat’s practice begins with the serendipitous collecting of news cuttings, photographs, prints and drawings. The collection and archiving of seemingly random items in her shoebox files is fuelled by Kat’s engagement with tradition, memory, nostalgia and her fascination with the ways the ephemeral and eternal intermingle. Subjectively cataloguing both the familiar and idiosyncratic Kat mines her collection to create intricate stitchwork pieces, expressive prints, paintings, songs and illustrations under the title ‘A Common Treasury’. Drawing viewers in to explore reminders of cultural shifts, Kat asks us to take a closer look and consider where the thresholds lie between what we venerate, criticise and ridicule. This acknowledging of threads of continuity through conversation between old and new and the discovery of the exceptional in the everyday invites viewers to wonder, connect, critique, and smile in recognition as they are beguiled by vignettes from life.